Miniatures of Mohamed Racim Cavalier
Algerian miniatures by Mohamed Racim
It was from the 11th century that the first illuminations of Islamic manuscripts appeared.
This art would only reach its peak at the end of the 13th century.
The 16th century was the golden age of Muslim miniatures.
History has remembered the remarkable contribution of the Persian painter Behzad and his disciples of the same origin Aghamirak and Sultan Mohamed whose works, illustrations of chronicles or collections of poetry further enrich the funds of libraries and other museums around the world.
Rather than conforming to the Persian school, Racim preferred to evolve off the beaten track by drawing inspiration from the family heritage.
He thus creates his own miniature by imposing other influences and proposing themes which essentially relate to Algerian habits and customs before 1830.
The Racimian school was born.
Rider
Both respected and feared, the Arab rider has always held a fascination for the collective memory.
His fantastic rides, his heroic cavalcades have often been reported with a touch of romanticism, but this in no way diminished his fiery character and his virtuous spirit.
Racim immortalized his strength and grandeur by representing him on his mount, proud and majestic.
An ode to power and freedom.
It was from the 11th century that the first illuminations of Islamic manuscripts appeared.
This art would only reach its peak at the end of the 13th century.
The 16th century was the golden age of Muslim miniatures.
History has remembered the remarkable contribution of the Persian painter Behzad and his disciples of the same origin Aghamirak and Sultan Mohamed whose works, illustrations of chronicles or collections of poetry further enrich the funds of libraries and other museums around the world.
Rather than conforming to the Persian school, Racim preferred to evolve off the beaten track by drawing inspiration from the family heritage.
He thus creates his own miniature by imposing other influences and proposing themes which essentially relate to Algerian habits and customs before 1830.
The Racimian school was born.
Rider
Both respected and feared, the Arab rider has always held a fascination for the collective memory.
His fantastic rides, his heroic cavalcades have often been reported with a touch of romanticism, but this in no way diminished his fiery character and his virtuous spirit.
Racim immortalized his strength and grandeur by representing him on his mount, proud and majestic.
An ode to power and freedom.